The beloved children’s classic The Velveteen Rabbit was made into an equally beloved holiday dance piece twenty-two years ago by ODC/Dance, one of our finest local dance companies. A week or so ago, I went to see it with the girlie, and the trips there and back were nearly as eventful as the show.
For all the time I spend caring for the little munchkins, it’s been rare that she and I have gone on a special Baba-daughter outing. Her craving for Mama is great, and perhaps would be so regardless of the fact that Mama works outside the house more hours than Baba does. So the arrangements we usually make for solo time with the kids tend to accommodate the lil’ monkey’s ever-unslaked Mama-thirst. This time around, though, the LGBT family-friendly performance was smack dab in the middle of Mama’s prime-time work hours. Grampy gladly watched the boy, and my girlie and I skipped footloose into the city to see what kind of fun we might have together.
Before we even make it the few blocks to the subway, I can tell by her mood that she is loving this every bit as much as I was. Singing, prancing, the outsize imagination vibrating and sizzling and shooting off in all directions. Since the beloved’s production of Fiddler is fading slowly into memory, I am less frequently conscripted into the role of Tevye (to her Tzeitel). The next theater production, Les Miserables, is months away, and the seasonal fave Amahl and the Night Visitors hasn’t yet encroached, so what’s filling the lil’ monkey’s mind has been the characters in our current reading: L. Frank Baum’s Oz series. We plowed through The Wonderful Wizard of, just polished off The Land of and are launching into the third, Ozma of, with reckless abandon (bringing her chapter book total — Alice and Pipi and Mary Poppins are also in her wake — way above that of the number of books Baba has read this year). Today, I am the Tin Woodman.